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Entries in TV (25)

Saturday
Dec202014

2014 Year in Review: The Legacy of The Colbert Report

I can still remember the night the Colbert Report premiered.  

It was the fall of my sophomore year in College.  Nightly viewings of The Daily Show had become something of a ritual for myself a few other denizens of the 2nd floor Aquinas dorm.  We had come to terms with another for years of George W. and I was likely consuming a bottle of coke with a pair of pop tarts.  As Jon Stewart signed off are gaze did not waiver from the tv for starting that night, the ritual no longer ended at 11:30.  The screen split as Jon traded banter with a sarcastic Stephen and moments later, The Colbert Report began.

The rest is history.

Truthiness, Papa Bear, Colbert Super Pac, Stephen Colbert rode a pitch perfect right-wing conservative wave of satire for 1447 glorious episodes.

 

 

He didn't start there.  I do remember distinctly thinking the Daily Show was the more entertaining and interesting of the two programs early on.  Colbert was clever but felt one dimensional and his mostly intellectual guests didn't quite know what to make of the character of "Stephen Colbert".

The great leap forward (at least for me) came with the writer's strike.  Dozens of shows on television went dark when the writer's strike hit in 2007.  Late night programming tried to remain on, at the benefit of the crews that worked on the show.  Many of these shows, such as Letterman and Late Night with Conan O'Brien clearly suffered from the absence of it's writing staff.  In truth, most of the shows that stayed on were borderline unwatchable, save for two: The Daily Show and The Colbert Report.

In this setting Colbert didn't just stay the course he was made stronger, sharper.  Perhaps without a group of writers he was forced to look to himself, explore what made his character the way he was, ask what it was his character would think about anything and everything going on in the world.  Whatever it was, Colbert found a second gear that hadn't been there before.  The result was a flood of wit and innuendo that turned the horrifying into the absurd and the absurd into the familiar.

Possibly the greatest talent of Colbert was his ability to conceal common sense and then reveal it again like a magician.  The number of tricks and gags Colbert had hiding up his sleeves was endless, and you never saw them coming no matter how closely he let you look.

Colbert with his character explored the very edges of cultural satire.  It was something he did so well that it earned him the respect of celebrities and politicians across the ideological spectrum.  It was something he was so dedicated to he often fooled those he was mocking into thinking he was fighting the good fight on their behalf.

It might be unfair to give the crown of "Show of the Year" to The Colbert Report, but as Colbert himself might have said "The rules exist to benefit me."  The Colbert Report wasn't just the best show of 2014, it was the best thing on television the last nine years.  (Nearly) Every night.  From start to finish.  It was all Colbert.

 

 

Tuesday
Dec162014

2014 Year in Review: Is Hannibal a Good Show?

Dramas of 2014 were dark affairs.  The bleakness of True Detective, the tragedy of The Leftovers, the Game of the Thrones-ness of Game of Thrones.  Everything unravelling for Don Draper, the end of Sons of Anarchy.  Joining these ranks is a show that got a lot of attention in its second season: Hannibal.

When Hannibal arrived in early 2013 I sat watching with one though revolving in my mind, "I cannot believe this is on network television."  It is far and away the most gruesome show I have ever seen on television.  If you haven't had the chance, just imagine a show all about serial killers with an absurd flair for the dramatic where the camera shows EVERYTHING.

There is actually a scene in which a man plays a dead man's vocal chords with a violin bow.  And the guy doing the playing is the show's hero!

One of the more mild images of gore from the show.

Needless to say I was hooked on the show's appreciation for camp and pressure cooker plots.  Also, being a fan of the source material (Thomas Harris' Red Dragon novels) helps.  There is a wonderful cat and mouse game always in motion between FBI profiler Will Graham (Hugh Dancy) and brilliant super villain, Hannibal Lector (Mads Mikkelsen).  The side characters added just the right amount of spice to a wicked feast of a show.

Then the 2nd season happened, and the show blew up.  After nearly failing to get renewed because of sagging veiwership, the show was assailed by critical acclaim in its 2nd season and a ratings boost guaranteeing it a 3rd season.  But, much like a fan spurned by his favorite band's sudden rise to fame, I wasn't singing Hannibal's praise quite as loudly.

The show gradually lost some of its luster.  I nearly quit on it multiple times during its 13 episode run.  I wondered if the attention from critics wasn't some kind of "make up" game being played because the show was nearly cancelled after a fantastic first season no one saw.

Most disappointing of all were the wild departures from the source material that the show had taken.  Major characters in the books were killed off or their destinies greatly altered.  Other characters have been introduced far too soon, others are strangely absent.  This might not be so confounding if the creators haven't stood steadfast by the concept of telling the story of the novels in show.  Whether or not they remain true to this one thing is clear:  The audience is going to be robbed of time with one of the series best two characters in the form of either a premature departure of Will Graham or late entrance by Clarice Starling.

They don't make life easy for Will Graham on Hannibal.

While it is hardly condemnable for a network television show to alter the story of an over 30 years old novel series that has largely fallen into obscurity one has to worry what will keep the show's already absurd premise (just how many serial killers are there in the greater Maryland area??) from floating into Lalaland.

After its absolutely bananas season 2 finale which acted as a sort of culling for the show's cast (though I suspect all the main players will still be there when the dust settles), it is hard to say where it will go from here.  I will confess, I'll be there for the premiere, but this season is sink or swim for Hannibal, it is going to need to impress if I'm going to be there to see who is getting cut up in the next finale.

Friday
Nov072014

"Too Many Cooks" or The Greatest Opening Theme to a Fake Show Ever

So yesterday, at 4am Adult Swim aired this.

I don't want to go to deep into it, the mystery of where it will go next is a big part of its majesty, but it is worth pointing out that all of the actors names are their real names.

Is it a show intro that never ends or a show that is nothing but an intro?  You be the judge.

(It starts getting weird around 1:18).

Thanks to Lorie Steele who showed me this on DangerousMinds.net where it was posted by Richard Metzger with thanks to Syd Garon.